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Signed up: 5 years ago (2/25/05)
Last signed in: 1 year ago
Total time online: 7d 1h 41m
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Rustedblue
27 year-old male from Saint Petersburg, FL

Received (4/03/05 11:55PM)
Tykell*: You seem cool, a passive version of me to be precise. Okay if I send you a friends request

Sent (4/04/05 12:41AM)
Rustedblue: Since I came first, wouldn't that make you an inflamitory version of me? Yeah, I guess you and I can be buddies.
Latest JournalView Journal

May 4th, 2006

I am WIGGING OUT!

And it's not because my parents are coming to help me move out tomorrow and I've only packed two boxes. I've never been very cool when it comes to meeting celebrities -- or at least people whom I subconciously deem celebrities -- like the time when I was about seven years old and took my first trip to Universal Studios and met the guy who played the villain in The Rocketeer and got so tongue tied that I'm pretty sure he thought I was an autistic kid, or the time I met Hoobastank right outside my apartment and... well, they probably thought the same thing as the Rocketeer guy. Hell, even when I 'virtually' met Rooster Teeth's Gus on World of Warcraft, I had to conciously make myself not bug him with irrelevant questions.

Anyway, I think that I have some sort of a hero worship complex, or something, because I am downright giddy about the letter I just recieved from Lar deSouza, the artist for Least I Could Do. Last night, I decided that over the summer I would work on a comic strip to submit to USF's newspaper, the Oracle, in the fall. I have a great script, but everything I have draw hasn't impressed me. I'm having originality issues; I think that everything I draw is just a rip-off of Mark Bagley or Scott Ramsoomair. I decided to see how the master of LICD does it, so, today, I wrote him a letter.

Lar actually read and returned my letter in the same day. I thought that if I ever got anything back it would be a month down the road and some half assed, copy/pasted collection of platitudes with a request to buy an LICD [https://secure.leasticoulddo.com/store/home.php]T-shirt[/link] at the end. But, low and behold, it was the complete opposite. The guy didn't just answer my question, he actually ANSWERED my question. I can't get over it. Just read.
Dear Matt,

Thanks for writing :) I'm glad you're enjoying LICD so much and that
it has inspired you to create on your own. Way to go!!

First off, don't sweat the fumes. Crack a window, yes, but otherwise
you'll stop smelling them after awhile. I think the toxin sensors in
my nose died many years ago ;)

Style? Oh geez, that's the $64 question isn't it? I've had teachers
go on and on about style and have had discussions through the years
and y'know what? I think it just happens. Not very helpful I know,
but there's just no way to NOT be influenced by the art around you.
That's part of being artistic. It all goes into the pot, as it were,
and some of it comes back out in your work. I think the thing is to
be sensitive to those influences and not let them dominate you so that
you don't evolve your own distinctive work.

When you decide you like something, try to look at it critically and
decide *why* you like it and then decide whether or not what you like
about it fits your way of working.

I love a fine oil painting of a landscape but I'm not inspired to
paint one. So I just enjoy them. I doubt I take anything
inspirational away from those :)

On the other hand, I love the work of Al Hirschfeld, the renowned
caricaturist. That flowing lyrical line and sense of design. Use of
line is totally good for me as a cartoonist so I worked at creating
that flowing line and eventually succeeded to some extent by using
soft fine brushes and ink (and now Photoshop). Years later, I
discovered he builds up his lines using old fashioned dip pens. I
*hate* dip pens. I've never ever been good with them. However, I
swing a mean brush. Instead of slavishly trying to copy his methods,
I'd found my own way to create something I can be proud of.

It may be that you don't care for the art in a comic but like the
writing. Again, ask yourself why. Is it the subject matter, the
comedic timing, the development of characters or portrayal of themes?
Keep those things in mind for the next time you write and just enjoy
the rest.

You don't find a style, you evolve one. And it continues to grow as
you do. Stop throwing away your art and LOOK AT IT instead. Look at
it like someone else did it and figure out where it works and where it
needs improvement. Art is more about eye/brain co-ordination than
hand/eye coordination :)

I hope this helps answer your question. It's not a simple question
and is probably one you will continue to ask yourself even after folks
start telling you "Oh yeah, I knew that was your work. It just looks
like your stuff." and then you'll realize you've got a style without
even trying.

Thanks again for writing. If you want more feedback, why not post
some of your work in Teh Art Forum. Lots of good folks hanging out
there.

Good luck :) Later!

Lar
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Cinema_Void
Cinema_Void
Posted 2 years ago
    [ Reply ]   [ Quote ]   [ Conversation ]
Oiy.
Cinema_Void
Cinema_Void
Posted 3 years ago
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Yea, Im not even gonna touch that arguement going on in my journal.
Cinema_Void
Cinema_Void
Posted 3 years ago
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I didn't write it.
nickles
nickles
Posted 3 years ago
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It's been done. Hopefully it'll work.
Assassin23
Assassin23
Posted 3 years ago
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nice profile!
nickles
nickles
Posted 3 years ago
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Fixed the caption.

And I don't have TV...
nickles
nickles
Posted 3 years ago
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Yeah, I probably should.

Oh, and I'm gonna have to delete your comment unfortunately...for scientific reasons.
nickles
nickles
Posted 4 years ago
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And here I thought you were more on the ball about the major happenings in the machinima world, or at least in the rvb forum.

Check my journal for a link, Lord and Master of Procrastination.
nickles
nickles
Posted 4 years ago
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Pure ownage. Congrats.

You watch Elm Way 1 yet?

Post edited 2/07/06 12:34PM
Rustedblue
Rustedblue
Posted 4 years ago
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Zuh?
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